Affichage des articles dont le libellé est early video animation. Afficher tous les articles
Affichage des articles dont le libellé est early video animation. Afficher tous les articles
mardi 4 mai 2010
vendredi 19 mars 2010
lundi 11 janvier 2010
vendredi 10 juillet 2009
The Joshua Light Show - Liquid Loops (1969)
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Live projection performance on an overhead projector using oil, water and glycerin. Light artist: Cecily Hoyt. Originally recorded on 35mm film.
Live projection performance on an overhead projector using oil, water and glycerin. Light artist: Cecily Hoyt. Originally recorded on 35mm film.
vendredi 12 décembre 2008
Mosaic - Norman McLaren - 1965
Norman McLaren - Creative Process 1 of 12 :
http://fr.youtube.com/watch?v=KQdhHpIVxZU&feature=channel
http://fr.youtube.com/watch?v=XsS-6GPdZuA&feature=channel
http://fr.youtube.com/watch?v=nWWHeDbzDVE&feature=channel
http://fr.youtube.com/watch?v=vcpJxYGoT5s&feature=related
http://fr.youtube.com/watch?v=PhCmmFa6mpU&feature=related
http://fr.youtube.com/watch?v=qxl--J9ezEI&feature=related
http://fr.youtube.com/watch?v=0qUy5XFwZOM
http://fr.youtube.com/watch?v=rGvGMLI0QKY&feature=related
http://fr.youtube.com/watch?v=O8nFx6RVbXM
http://fr.youtube.com/watch?v=GZU6vL5RrU4&feature=related
http://fr.youtube.com/watch?v=GW25BVkTIO8&feature=related
lundi 1 décembre 2008
Lillian Schwartz - UFO's (1971)
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Music by Emmanuel Ghent. "UFO'S proves that computer animation--once a rickety and gimmicky device--is now progressing to the state of an art. The complexity of design and movement, the speed and rhythm, the richness of form and motion, coupled with stroboscopic effects is unsettling. Even more ominously, while design and action are programmed by humans, the 'result' in any particular sequence is neither entirely predictable ... being created at a rate faster and in concatenations more complex than eye and mind can follow or initiate." - Amos Vogel, Village Voice. Awards: Ann Arbor-1971; International award-Oberhausen, 1972; 2nd Los Angeles International Film Festival; Museum of Modern Art collection; Commissioned by AT&T. (3 min.) (3 min.)
Music by Emmanuel Ghent. "UFO'S proves that computer animation--once a rickety and gimmicky device--is now progressing to the state of an art. The complexity of design and movement, the speed and rhythm, the richness of form and motion, coupled with stroboscopic effects is unsettling. Even more ominously, while design and action are programmed by humans, the 'result' in any particular sequence is neither entirely predictable ... being created at a rate faster and in concatenations more complex than eye and mind can follow or initiate." - Amos Vogel, Village Voice. Awards: Ann Arbor-1971; International award-Oberhausen, 1972; 2nd Los Angeles International Film Festival; Museum of Modern Art collection; Commissioned by AT&T. (3 min.) (3 min.)
Lillian Schwartz's Pixillation (1970)
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With computer-produced images and Moog-synthesized sound Pixillation is in a sense an introduction to the electronics lab. But its forms are always handsome, its colors bright and appealing, its rhythms complex and inventive." - Roger Greenspun, N. Y. Times. Golden Eagle-Cine 1971. Moog sound by Gershon Kingsley; Version III: pulls the viewer into a primal experience. Awards:Red Ribbon Award for Special Effects from The National Academy of Television, Arts & Sciences; The Smithsonian Institution and The United States Department of Commerce, Travel Services for Man & His World at the Montreal Expo, '71; collection The Museum of Modern Art. Commissioned by AT&T. (4 min.)
With computer-produced images and Moog-synthesized sound Pixillation is in a sense an introduction to the electronics lab. But its forms are always handsome, its colors bright and appealing, its rhythms complex and inventive." - Roger Greenspun, N. Y. Times. Golden Eagle-Cine 1971. Moog sound by Gershon Kingsley; Version III: pulls the viewer into a primal experience. Awards:Red Ribbon Award for Special Effects from The National Academy of Television, Arts & Sciences; The Smithsonian Institution and The United States Department of Commerce, Travel Services for Man & His World at the Montreal Expo, '71; collection The Museum of Modern Art. Commissioned by AT&T. (4 min.)
Lillian Schwartz-The Artist and the Computer pt.1
1976 documentary about Lillian Schwartz's work with computers and features excerpts from several of her films. ">
mardi 7 octobre 2008
lundi 29 septembre 2008
mercredi 30 juillet 2008
mercredi 16 juillet 2008
mercredi 2 juillet 2008
Stan Vanderbeek-Symmetrics (1972)
A computer-created animation of high speed stroboscope mandalas with molecular-like energy. The surprise of this film is the color produced from the strobing black and white symmetrical images. Done with an electronic stylus on a special computer at MIT. This film demonstrates the possible use of the computer interacting with the graphic artist"-Stan Vanderbeek
John Whitney-Permutations (1966)
In PERMUTATIONS, each point moves at a different speed and moves in a direction independent according to natural laws' quite as valid as those of Pythagoras, while moving in their circular field. Their action produces a phenomenon more or less equivalent to the musical harmonies. When the points reach certain relationships (harmonic) numerical to other parameters of the equation, they form elementary figures."- John Whitney
lundi 30 juin 2008
lundi 23 juin 2008
jeudi 12 juin 2008
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